Showing posts with label NBC. Show all posts
Showing posts with label NBC. Show all posts

Saturday, January 16, 2010

Mitigation ‘Round About Midnight?

That sweet walkaway payday for Conan O’Brien might not be as rich as it sounds. Media such as Variety are reporting that NBC is likely to pay Conan $30 to $40 million to settle out his contract, with a deal to be reached shortly. But what few of the media appear to be mentioning is the two magic words of employment contract settlements: mitigation and offset. Depending on how those terms are deployed, the hit to NBC could be much less than the numbers imply – particularly if Conan scores a deal with Fox for a new show to start in September, as many observers expect.

Here’s how it works. First, as background, the NBC payments are likely to be made over the period of time remaining in his contract – at least, that’s what customary. Conan’s attorneys, agents and manager would probably press for some acceleration though, unless the tax consequences of doing so would be adverse.

In any case, mitigation is the concept that the terminated employee, i.e., Conan, has an obligation to seek other employment. If he fails to do so, the payments from NBC could stop. To protect against this, Conan’s representatives will seek, and may get, a “no mitigation” clause. In that case, the payments would keep coming even if Conan decides to sit on the beach for the next 2-1/2 years (reportedly the remaining term of his contract), though he’s unlikely to want to damage his personal brand name by simply disappearing.

At the very least, though, Conan’s team will argue for no mitigation from now until a new Conan show could feasibly be launched, which is generally assumed to be September, i.e., the beginning of the fall TV season. They’d also probably seek a guarantee that there would be no mitigation if Conan is offered and refuses a show of lesser stature, or one at a lower salary than he was receiving at NBC, or one that reaches too small a percentage of households in the country. In other words, under such contract terms, Conan would be able to refuse a “demotion” without violating a duty to mitigate.

Now on to offset. This is the concept that whatever the employee earns at his or her new job, if any, would be offset against the settlement payments owed by the old employer. This would apply only for the remainder of the old contract. For instance, suppose the agreed NBC termination payment (“liquidated damages,” in legal terminology) is $40 million, and suppose Fox pays Conan $30 million over the next 2-1/2 years. In that case, the $30 million could be offset against the $40 million, and NBC would only have to pay $10 million.

Naturally, Conan’s representatives will seek a “no offset” clause. This would be a hard-fought point, however. NBC would argue that Conan would be getting a windfall and, even worse, that he’ll be cashing those checks while competing against NBC itself. That’s like biting the hand that feeds you, but knowing you’ll get fed regardless.

Here again, there’s a compromise available: Conan and NBC might agree that his salary from the new show would be only partially applicable (i.e., partially offsetable) against the NBC liquidated damages payments. For instance, if 50% of his Fox salary (if he does a Fox deal) were applicable, then $15 million (in the above example) would be applied against the $40 million, reducing NBC’s obligation to $25 million.

On a different note, it wouldn’t surprise me if NBC seeks a non-disparagement clause from Conan. Paying him liquidated damages while he’s getting paid by Fox to bash NBC in his monologue might be too much for the NBC suits to accept.

Of course, this is all speculation. No one’s seen the existing contract, let alone the settlement agreement, since there is no settlement yet (and it’s not clear to me whether NBC would be required to file a redacted copy with the SEC). But it’s easy to see how mitigation and offset amount to a win-win. Those provisions could allow Conan’s people to leak big impressive figures, yet reduce the bite for NBC.

Whether that would be enough to keep heads from rolling at NBC is another subject. If the Comcast deal goes through, under which the cable operator would acquire a majority stake in NBC Universal from corporate parent GE, then I’d expect some hasty departures. Someone might get the ax even if the deal isn’t consummated. (The antitrust division of the Justice Department recently announced they will be reviewing the deal.) Ironically, terminating the responsible executives would probably require NBC to make more contract settlement payments.

Moving Jay Leno to 10:00 p.m. was an understandable experiment. It seemingly kept both Leno and O’Brien in the family, and lower ratings were acceptable to the network, since production costs for five nights a week of a talk show are a lot less than for five nights of scripted dramas.

Unfortunately, it looks like the downside wasn’t evaluated as thoroughly: Leno’s lower ratings at 10:00 meant diminished ratings for 11:00 p.m. local station newscasts, an unacceptable price for network affiliates, for whom the newscasts are a cash cow. Moving Leno back to late night gave NBC one host too many: Leno, O’Brien, Jimmy Fallon and Carson Daly. That’s four hosts for three chairs, and when the music stopped, O’Brien was out. Now, for NBC, it appears time to pay the piper.

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Tuesday, June 10, 2008

Quarterlife Less Than One Percent Life

We already knew that the underperforming Quarterlife didn't get a quarter of anything on NBC, but here's how poorly it performed online: of Myspace's 140 million members, there were only 140,000 views of the show, per creator Marshall Herskovitz, speaking yesterday at iHollywood Forum's Digital Media Summit in LA.

That number's only a tenth of 1% of the Myspace membership - and even that may be an overestimate of the number of viewers, since the 140,000 refers to viewings of the show, not viewers, if I understood Herskovitz properly. Since the show online was actually many segments, the number of of viewers is probably far smaller.

Maybe the show didn't get enough ad support to drive viewers? Nope. According to Herskovitz, the show was supported by a hefty one billion ad impressions.

Herskovitz opened the kimono on a few more details: The producers didn't make much from Myspace, not surprisingly. The biggest online advertiser was Toyota, which paid $500,000 for advertising. (Not clear to me if all that money went to the producers, or if Myspace got a piece.) Another significant source of revenue was a product integration deal with a music website that Pepsi had invested in.

Monday, October 29, 2007

A Cuckoo Time to Release Hulu

The News Corp. - NBC site Hulu.com has launched in public beta, reports Variety. It's an ad-supported web site for viewing TV shows and movies, with non-skipable commercials included in the video stream.

The timing's not great though: the studios and networks are busy trying to persuade the Writers Guild that new media is irrelevant as source of income. A new and exciting Internet platform is scarcely persuasive.

Wednesday, September 26, 2007

Series Business Ahead of Possible Scribe Strike

ABC and NBC placed a number of series orders yesterday, months ahead of the usual season for such orders, reports the Hollywood Reporter. This is in order to have scripts ready in case of a writer's strike next year.