How Talent Loses if Aereo Wins

Follow the money and discover an unstated reason the Hollywood unions weighed in with briefs opposing the new service.

Several weeks ago, Fox, PBS and several other companies were hit with a 2-1 federal court of appeals ruling rebuffing their attempt to shut down Aereo, a new service backed by Barry Diller. Last week, they filed a petition for a rehearing en banc, in which all thirteen judges of the New York based court would rehear the case and potentially reverse the ruling, resulting in the preliminary injunction that the networks seek while the matter goes to trial.

Interestingly the Hollywood unions – DGA, IATSE, SAG-AFTRA and WGA – signed on to an amicus brief supporting that petition, as they had also done when the original appeal was heard. But why do the guilds care?

As a reminder, Aereo is a service that allows users to watch and record local TV for $8/month without a cable subscription. The service is available in New York and, soon, in Boston. It’s drawn the ire of broadcast networks because it would facilitate cord-cutting, reducing revenue to networks.

As a result, News Corp. president and COO Chase Carey has threatened to make Fox cable-only if Aereo prevails in court. There are potential downsides to this, and some analysts are skeptical that Fox would make the move, but the threat can’t be dismissed out of hand.

One reason the guilds are concerned ...


Details: The Hollywood Reporter.



Check out “The New Zealand Hobbit Crisis,” available on Amazon in paperback, Kindle and audiobook. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.  -->

New book - Entertainment Labor: An Interdisciplinary Bibliography

A must-have for academics, union staff and attorneys working in entertainment labor, ENTERTAINMENT LABOR: An Interdisciplinary Bibliography is a 345 page annotated bibliography of over 1,500 books, articles, dissertations, legal cases and other resources dealing with entertainment unions and guilds and various other aspects of entertainment labor.

The book is the product of hundreds of hours of research and of compilation of search results from almost twenty databases.

Also included are:
 * Annotations (where necessary to explain the relevance of the book or article)
* Capsule descriptions of legal cases
* Page references (where only a portion of the book or article is relevant)
* URLs (for those full-text articles that are available online at no charge)
* A detailed chapter on materials available from the unions and guilds themselves
* A 90-page index

Email me (jhandel99 at gmail dot com) for sample pages, or just click here to purchase.


Check out “The New Zealand Hobbit Crisis,” available on Amazon in paperback, Kindle and audiobook. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.

VFX Town Hall Meeting Urges Trade Association and Union

However, panelists also acknowledged the difficulty of achieving either goal.

Pi Day – a multi-city international meeting of VFX artists – took place Thursday evening amid rising concern about the state of the industry.

VFX vet Scott Ross and others outlined a plan that involves the formation of a VFX union for VFX artists and of a trade association for visual effects facilities, all aimed at addressing the troubled VFX business model.

“Fear has stopped us because we have six clients [the studios],” Ross told them. “We are fearful of losing our jobs; [but] we are losing our jobs. … It’s going to get worse until we do something.”

Ross – a co-founder and ex-CEO of Digital Domain, a former GM of Industrial Light & Magic and a senior vp at LucasArts – also stated that through outreach “almost all” of the major facilities in North America  “have agreed to investigate the possibilities of a trade association. … They seemingly want to effect change.”

Details: The Hollywood Reporter.



Check out “The New Zealand Hobbit Crisis,” available on Amazon in paperback, Kindle and audiobook. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets. 

Canadian Talent Consultant Charged in Alleged Actor Visa Scam

Actor Andrew Boryski was charged with multiple criminal counts for cheating aspiring actors out of thousands of dollars in an immigration visa scam, the Los Angeles City Attorney’s office said Thursday in a press release.


Boryski is charged with 32 counts; “this suspect, who’s an aspiring actor himself, has landed a role in a real life crime drama” says a federal agent.


The Saskatchewan native allegedly operated a Los Angeles-area immigration consulting business that sought O-1 visas on behalf of aspiring foreign actors.The O-1 visa is intended for established entertainment professionals with work pending in the United States – not for newcomers to the business without actual employment, as was the case with Boryski’s alleged victims.


Details: The Hollywood Reporter.



New! Check out “The New Zealand Hobbit Crisis,” available on Amazon in paperback and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.

'Hobbit' Affair Still Rankles NZ Unions

As fans of The Hobbit scanned the red carpet at the film’s premiere in Wellington last night, some New Zealand activists are still bitter about the outcome of a failed unionization attempt in 2010, even as NZ Actors Equity is finally making progress in negotiations with the country’s producers association.

Meanwhile, the government continues to resist publicly disclosing a key legal report, despite having apparently provided copies to Warner Bros. and producer/director Peter Jackson’s Wingnut Films. That stance may change, as government officials are meeting on the matter December 5, according to a local press report.

“I’m bloody angry,” said NZAE vice president Phil Darkins at a conference last week at Victoria University. Referring to New Zealand’s uniquely non-unionized film industry, he said caustically “New Zealand is the only English speaking nation on the planet where professional performers ply their trade at the mercy of their lords and masters. And they are supposed to do this feeling nothing but enormous gratitude for the fact that there is even work available.”

In an email to The Hollywood Reporter, a NZAE organizer struck a different note. “We're having productive discussions with SPADA,” said Anna Majavu, referring to the country’s Screen Production and Development Association, “and look forward to reaching a mutually-agreeable conclusion.”

Details: The Hollywood Reporter.



New! Check out “The New Zealand Hobbit Crisis,” available on Amazon in paperback and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.

new book - The New Zealand Hobbit Crisis

My new book, The New Zealand Hobbit Crisis, is out on Amazon in paper (http://amzn.to/SiHUX2) and Kindle (http://amzn.to/UG7q7F). Check it out. Here's the description:

Essential reading for Hobbit fans and labor/globalization academics alike, THE NEW ZEALAND HOBBIT CRISIS looks back at an attempt to unionize actors on The Hobbit that blew up into a national crisis, driving down the NZ dollar and leading the Prime Minister and Parliament to dance to a Hollywood tune.

All was not well in Middle-earth . . .

After the third Lord of the Rings movie premiered in 2003, fans of the series eagerly anticipated production and release of its prequel, The Hobbit. It turned out they had a while to wait, as a series of troubles delayed production for years: lawsuits, studio bankruptcy, and ejection of producer/director Peter Jackson.

Then, in September 2010, when almost everything seemed resolved, U.S. and international actors unions issued a public alert advising their members “not to accept work on this non-union production.” 

In THE NEW ZEALAND HOBBIT CRISIS (Hollywood Analytics; Nov. 22, 2012; paper USD $7.99; Kindle USD $4.99), entertainment attorney and Hollywood Reporter journalist Jonathan Handel shows how the two-month affair that began with local actors attempting to organize The Hobbit ended with a smackdown from U.S.-based Warner Bros. The studio managed to . . . well, let’s not spoil what for many will be a surprise. Suffice it to say that by the end, one member of Parliament said that Warners had “reduced New Zealand to a client state of a U.S. movie studio” while another said the country had become victim of a “shakedown.”

But how did an American multinational company all but subjugate a sovereign nation? THE NEW ZEALAND HOBBIT CRISIS tells the tale. Warner Bros. threatened to rip the troubled production from the country and events quickly spiraled out of control. New Zealand plunged into crisis. Saving the Hobbit was do or die for the local film industry, and the government scrambled to avoid disaster.

Protests and rallies erupted and the island nation’s currency fell on the possibility of losing the half-billion dollar project. Director Peter Jackson vowed to “fight like hell” to keep the shoot in New Zealand. But then studio executives flew in from Los Angeles like colonial masters ready to bring down the hammer.

 
What happened next was almost unbelievable – and proved, if nothing else, that not all Hollywood drama is on the screen.




Also check out “Hollywood on Strike!,” available on Amazon in pb and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.  -->

Lucasfilm Faces New Accusation of Pregnancy Discrimination

 
VFX artist Luis Pages says Lucasfilm Singapore promised inaccurately that he’d have broad medical insurance if he relocated to Singapore for a job with the company – but then fired him without explanation after his wife’s pregnancy turned medically difficult, and withheld salary.

“I think they fired me because of my wife's pregnancy and because of how upset sending her away made me and my co workers feel,” Pages told The Hollywood Reporter.

It’s not the first time Lucasfilm has faced an accusation involving pregnancy: in 2010, the company lost a pregnancy discrimination and wrongful termination lawsuit in Marin County. A company spokesman told THR the case is currently being appealed.

In addition, Pages says he’s heard even worse experiences than his own, of Lucasfilm Singapore employees going bankrupt due to pregnancy-related complications that ignite multi-hundred thousand dollar medical bills.

Details: The Hollywood Reporter.



Check out “Hollywood on Strike!,” available on Amazon in pb and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.  -->

Hollywood Sign Owner Cries Foul Over Ad Agency 'Infringement'

Visit the website for The Brooklyn Brothers, a New York ad agency, and you’ll find a splash page announcing their new Hollywood venture, called BB Hollywood. It’s a snazzy looking page – a photo of the Hollywood sign with “BB” photoshopped in, to form “BBHOLLYWOOD” in the iconic white staggered, blocky typeface.

But it turns out the splash page has already made more of a splash in Hollywood than the agency intended. When it showed up in a New York Times story identified as the new venture’s logo, at least one person in LA took notice.

“I’ve already sent it over to our attorney for a cease and desist (letter),” Jeff Lotman told The Hollywood Reporter. Lotman is the CEO of Global Icons, a licensing agency that represents the Hollywood Chamber of Commerce. The non-profit Chamber, as much of Hollywood knows, owns a trademark in the Hollywood sign – and they police it vigilantly.

Details: The Hollywood Reporter.



Check out “Hollywood on Strike!,” available on Amazon in pb and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.

Actors Union SAG-AFTRA and Industry Postpone Commercials Negotiations

SAG-AFTRA and the advertising industry have agreed to postpone their previously-scheduled early negotiations of the union’s commercials agreement, the union announced Saturday. The existing agreement remains in place through March 31, 2013. The parties need more time, said the union, to address “data challenges” regarding a study that may result in a revamp of the commercials residuals system, referred to as Gross Ratings Points (GRP).

No date has been set for commercials negotiations, but the calendar makes it unlikely these will occur before mid-January, raising the possibility of a nail-biter. Big issues are likely to be GRP, pension and health contribution levels, and the increase in non-union work.

Details: The Hollywood Reporter.



Check out “Hollywood on Strike!,” available on Amazon in pb and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets. 

Movie Academy Journeys to Mars and (Far) Beyond at Sold-Out Event

“What’s anything without a trip to Mars?,” asked NASA’s Eric De Jong Tuesday night on stage at the Academy of Motion Picture Arts and Sciences. No one in the audience seemed inclined to disagree, but many no doubt felt “Why stop at Mars?”

The panelists were happy to oblige, taking the audience to the limits of the observable Universe. Hosted by producer Frank Marshall, the event showcased the relationship between NASA animation and Hollywood in such films as Transformers: Dark of the Moon (complete with a clip of Shia LaBeouf) and Hubble 3D.

On stage were NASA personnel and consultants and such Hollywood veterans as producer Tom Jacobson and visual effects supervisor Scott Farrar, while the audience included Buzz Aldrin, the second person to set foot on the moon, and June Lockhart, the co-star of Lost in Space.

Details: The Hollywood Reporter.


Check out “Hollywood on Strike!,” available on Amazon in pb and Kindle. Subscribe to my blog (jhandel.com) for more about entertainment labor. You can also follow me on Twitter or friend me on Facebook. If you work in tech, take a look at my book How to Write LOIs and Term Sheets.